![]() ![]() For years, those who have come back from that inscrutable place have often reported memories of the event. ![]() At this point, the person is technically dead – although as we learn more about the science of death, we are beginning to understand that, in some cases, the condition can be reversible. Until now, researchers assumed that when the heart ceases to beat and stops sending vital blood to a person’s brain, all awareness immediately ends. Mr A’s story – described in a paper in the journal Resuscitation – is one of a number of reports that challenge accepted wisdom on near-death experiences. He was describing things that happened during a three-minute window of time that, according to what we know about biology, he should not have had any awareness of. Mr A’s descriptions of the people in the room – people he had not seen before he lost consciousness – and their actions were also accurate. Hospital records later verified the AED’s two verbal commands. “The next second, I was up there, looking down at me, the nurse and another man who had a bald head.” “I felt that she knew me, I felt that I could trust her, and I felt she was there for a reason I didn’t know what that was,” Mr A later recalled. He joined her, leaving his inert body behind. Mr A heard a mechanical voice twice say, “Shock the patient.” In between those orders, he looked up to see a strange woman beckoning to him from the back corner of the room, near the ceiling. The staff grabbed an automated external defibrillator (AED), a shock-delivery machine used to try to reactivate the heart. Mr A died.ĭespite this, he remembers what happened next. ![]() With oxygen cut off, his brain immediately flat-lined. Medical personnel were in the middle of inserting a catheter into his groin when he went into cardiac arrest. Overall, it was a lifting performance for a Tuesday evening, and we’ll definitely be adding the band to our scream-it-out playlists.In 2011, Mr A, a 57-year-old social worker from England, was admitted to Southampton General Hospital after collapsing at work. The band’s skillful blend of rock musicality and punk vocals meshed well, loud enough to back their attitude but with soulful lyrics that kept listeners wanting more. “Might Be Right,” a song about a relationship that’s fallen on shaky grounds, was the hit of the night, drawing the most singing along from the excited crowd. Lead vocalist and guitarist Tony Esposito ran through the band’s hits at lightning speed, keeping the crowd headbanging and moshing throughout the entire performance. The band’s performance was framed by the venue’s signed portraits of various musical legends that have also graced the stage. This definitely seems true, based on the band’s high-energy performance at Exit/In. This perfectionist attitude shines through in the careful choices and artistic mastery on “You Deserve Love.”Īdditionally, Hater revealed that Nashville is one of his “favorite places to play.” We’re all our own worst critics, so nothing is making it past the cutting room floor if it’s not exactly what it needs to be,” Hater said. “We’re all basically family, and we just trust each other and work together really well. Regarding their latest release, Hater stated that the band drew from all of the aforementioned sources for inspiration during their collaborative creative process. “We just like to listen to stuff and take it all in, and that molds you as a listener and then as a creator after that.” “It ranges from Metallica to Van Halen to The Killers, from older bands to newer bands to pop stuff like The Backstreet Boys, Charlie XCX, and Swedish Pop,” Hater said. Hater accredited many legendary artists as part of the band’s influences. White Reaper’s guitarist Hunter Thompson on stage at Exit/In, as photographed on Sept. I had the opportunity to sit down with the band’s keyboardist, Ryan Hater, to discuss musical influences, his approach to the creative process, and his excitement to perform at Nashville’s iconic Exit/In on Sept. Production for the album was done by Nashville native producer Jay Joyce. The track is from the band’s latest release, “You Deserve Love,” their first album to break through Billboard’s alternative and rock charts. ![]() New listeners may recognize the popular track “Might Be Right,” which currently sits at 12 million Spotify streams. Hailing from Louisville, Kentucky, the band has released critically-acclaimed rock albums since 2015. White Reaper is the modern quintessential garage punk band. ![]()
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